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Bush Tomato Dreamingby Raymond Walters JapanangkaThe painting depicts the vibrant colours found on the Kutjuta (Tomato) plant and fruit during different seasons. Kutjuta is a Bush Tomato which is still harvested and eaten. Kutjuta is the fruit eaten by the Old Man Turkey and Emu during the creation of Ngarleyekwerlang. In 1988 Biologist Peter Latz decided to follow up stories he'd heard and investigated reports of the giant pumpkins in an area about 200 kilometres north east of Alice Springs, a place near Ti Tree, that's in Anmatyerre country and getting close to the centre of Australia. What he found was a new species of native sweet potato, which grows in very low nutrition soil, making it an ideal food crop for soil depleted countries. These certain Bush Potato grows only in this region. He went and had a look and got the right Aboriginal people from that country, my grandfather's country and they took him down and showed him. He described them like an underground pumpkin because the top part grows like a pumpkin but it's got these huge tubers under the ground. You've got to have the knowledge of Aboriginal people to be able to find them because once the vines are separated it's very difficult to trace the potatoes. |
ArtistRaymond Walters Japanangka was born in Alice Springs in November 1975. His grandfather’s country is Ngarleyekwerlang of Yuelumu (Mt Allan) and his grandmother’s country is Alhalkerre Atnangkerre (Boundary Bore) of Utopia. Ngarleyekwerlang is located 300km North West of Alice Springs. Boundary Bore is located 300km North East of Alice Springs. Both his grandparents come from the Anmatyerre language group. He also has extended family members from the Arrernte, Western Aranda, Alywarre, Warlpiri and Kaytetye language groups. As a boy Raymond spent most of his youth out bush with his family and extended family members or in town with his mother living in Mt Nancy. Mt Nancy is an Aboriginal town camp located on the fringes of Alice Springs. Raymond’s mother was born in a creek bed not far from the camp. “Growing up in Mt Nancy brings back a lot of good memories being around family and friends, but it was also a time of struggle for my people, my family. There was a lot of alcohol related violence, public intoxication and as children we wandered the streets, sometimes too afraid to venture back home. Most kids grew up in broken homes, in a way people may think that would have been awful, in a way it was sometimes, not having your own room, your own bed, your own processions, love and comfort. I remember my aunty calling me one year during Christmas, she said she called me to say she loved me and was proud of me. I handed the phone over to my partner because I was so emotional about it all. I really couldn’t remember the last time anyone had ever said that to me, if anyone had ever said that to me. That same aunty has been an inspiration to me throughout my upbringing, always kind and gentle with us kids, but also being there for us when we needed support and love. She even came to my first ever solo exhibition in Melbourne. We kids have witnessed and done a lot of things today I’m sure we regret. Silly kid’s stuff I guess. Although it sounds like I had a tough upbringing for which I did, we also had our culture, our elders who made sure we were taught about our cultural heritage, this was the balance in our lives. Our government was still taking away children from their families, I to spent time with non indigenous families, in foster care. I always wondered what was happening and why it was happening. Raymond Walters Japanangka is involved in the Red Dust Role Models. Sabine Haider from Central Art says: " I have nothing but admiration for Raymond, as an artist and as a person. he shows courage and determination. His artistic talent speaks many different languages, a connection between his world and our world." Raymond will always have my support. |
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