Barney Ellaga
- Skin Name:Ellaga
- Language:Alawa
- Region:Katherine, Northern Territory
- Dreaming:Alawa Country
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Biography
I (Sabine Haider, Director Central Art) acquired my first Barney Ellaga piece back in 2004. I immediately fell in love with his artworks for their vibrant soft colours mixed with the bold masculinity of the central features.
Barney was born in 1941 and is part of the Alawa language group, south east of Katherine. His tribe is from the upper reaches of the Cox and Arnold Rivers, south of the Roper River and west of the Gulf of Carpentaria. He is a senior law man and a highly regarded traditional elder of his people.
All of his artworks are visions of his land and country and have deep meaning for him. Each line represents a different aspect of his country; some of the features have come to him through his dreams. Barney paints his mother’s country, which features rivers and billabongs. At times Barney will include Bandian – The King Brown Snake. His style is similar to ancient rock art throughout the Alawa country.
Barney’s artwork is highly sought after nationally and internationally and he has had several successful solo exhibitions as well as group exhibitions. He participated in his first exhibition in 1989 and has been exhibited widely around Australia and in the USA. His artworks can be found in a number of major Australian public and private galleries and collections.
Barney has been an entrant and finalist in several prestigious art awards in Australia including the Togart Contemporary Art Award, The National Aboriginal and Torres Strait Islander Art Award and the Australian Heritage Commission Art Award.
Today, Barney lives at his home station, Hodgson Downs. Recently Aboriginal people from the area were able to claim their land title back and now live, work and manage the property in the community named Miniyerri. Although not painting full time, Barney does continue to produce his magical artworks.
I would recommend his paintings to collectors, investors, and everyday art lovers. His paintings provide a unique exploration of country; land and water through his eyes and his use of colours that are both bold and soft seem to flow so freely on the canvas.
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Bibliography
- Biography developed by Central Art - Aboriginal Art Store.
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Collections
- National Gallery of Victoria, Melbourne.
- National Gallery of Australia, Canberra.
- National Aboriginal Cultural Institute Inc., South Australia
- Kerry Stokes Collection, Perth.
- Laverty Collection, Sydney.
- Macquarie Bank Collection, Sydney.
- Northern Land Council Native Title Collection, Darwin.
- R.H. & A. Myer Collection, Melbourne.
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Exhibitions
- 2011, “Barney Ellaga – Finalist in Togart Contemporary Art Award 2011”, Alcaston House Gallery, Melbourne.
- 2005, “Recent Work by Barney and Tibby Ellaga”, Raft Artspace, Darwin.
- 2005, Waterhole Aboriginal Art, Danks Street, Sydney
- 2004, “All Alaway Country”, Alcaston House Gallery, Melbourne.
- 2004, “Two Senior Men”, Art Mob Gallery, Tasmania.
- 2004, “All About Art”, Alcaston House Gallery, Melbourne.
- 2004, “Colour Power – Aboriginal Art Post 1984”, The Ian Potter Centre, NGV Australia, Melbourne.
- 2003, “Bush Gardens of Roper River”, Japingka Gallery, Perth.
- 2003, Art Miami, Florida, USA (represented by Alcaston House Gallery, Melbourne).
- 2002, “Painting Mambali Country”, Alcaston House Gallery, Melbourne.
- 2002, Mia Mia Gallery, Melbourne.
- 2002, “The Contemporaries”, Contemporary Artspace, Brisbane.
- 2002, Melbourne Art Fair, Melbourne (represented by Alcaston House Gallery, Melbourne),
- 2002, “Water Country”, Kluge-Ruhe Collection, University of Virginia, USA.
- 2002, Inaugural Exhibition, The Ian Potter Centre, NGV Australia, Federation Square.
- 2001, “Spirituality and Australian Aboriginal Art”, Department of Culture, Madrid, Spain.
- 2001, Mira Fine Art Gallery, Melbourne.
- 2000, Artfair, Melbourne (represented by Alcaston House Gallery, Melbourne).
- 2000, “All Alawa”, Alcaston House Gallery, Melbourne.
- 1999, “Alawa Country”, Alcaston House, Melbourne.
- 1998, “Recent Acquisitions”, National Gallery of Victoria, Melbourne.
- 1997, “Bent-Strit – Art of South Easy Arnhem Land”, Alcaston House Gallery, Melbourne.
- 1997, “Ngundungunya Art for Everyone”, National Gallery of Victoria, Melbourne.1996, Café Alcaston (in conjunction with Alcaston House Gallery), Melbourne.
- 1996, “All About Art”, Alcaston House Gallery, Melbourne.
- 1995, Hogarth Gallery, Sydney (in conjunction with Alcaston House Gallery, Melbourne).1995, 12th annual National Aboriginal and Torres Strait Islander Art Award Exhibition, Museum and Art Gallery of the Northern Territory, Darwin.
- 1994, Australian Heritage Commission Art Award and Exhibition, Canberra.
- 1994, Galleries Australis, Adelaide (in conjunction with Alcaston House Gallery, Melbourne).
- 1993, Alcaston House Gallery, Melbourne.
- 1992, “Ngundungunya Artists”, Hogarth Gallery, Sydney (in conjunction with Alcaston House Gallery, Melbourne).
- 1992, “Gulf Country”, Christine Abrahams Gallery (in conjunction with Alcaston House Gallery, Melbourne).
- 1992, “Aboriginal River Calender”, Tandanya, Adelaide.
- 1991, Alcaston House Gallery, Melbourne.
- 1989, “Utopia & Ngukurr”, Alcaston House Gallery, Melbourne.
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Awards
- 2011, Finalist, Togart Contemporary Art Award, Darwin.
- 1995, Entrant, 12th annual National Aboriginal and Torres Strait Islander Art Award.
- 1994, Entrant, Australian Heritage Commission Art Award.
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